THE NEW YORK TIMES
named it #6 in the top ten Jazz Albums of 2023
RICANO Vol. 2 is currently under construction!
If you'd like to make a tax deductible donation to help materialize
this project you can do so through our Fiscal Sponsor
email us for more info at suaz@suazmusic.com
RICANO is the very 1st original Afro-Caribbean experience that combines
Puerto Rican and Dominican rhythms within a potent new Jazz Sound.
On RICANO, saxophonist / composer / culturist Jonathan Suazo offers us a captivating Afro-Caribbean experience that presents themes of exploration, integration, and self-acceptance. The title RICANO combines the words Puertorriqueño & Dominicano, highlighting the artists' creative concept and his two heritages in a unique fusion that carves a new sound within the world of Latin Jazz.
The journey in this 1st album takes us back and forth from the potent sounds of Puerto Rican plena with "Somos más que tú" to the exhilarating hits of Dominican Salve with “Heroes”. Strong vocals, chants and soaring solos add depth and emotion to tracks like "Don't take kindly", "Seguimos Luchando", "AFRO DOMI" and the uplifting "Dharma"; RICANO showcases the Afro-Caribbean experience by bringing the past, present, and future of this cultural heritage to the listener.
TOP ALBUM PICKS:
Click Image to Listen
"This is richly built, effusively played Latin jazz, written from the heart and packed with complexity, always seeking the next level of altitude."
GIOVANNNI RUSSONELLO
(THE NEW YORK TIMES)
"Suazo envelops us in
a soundscape propelled by lyrical sax playing"
CATALINA MARIA JOHNSON (DOWNBEAT MAGAZINE)
Beyond the stage
TESTIMONIALS
FEATURED IN THE ALBUM
JIM HYNES
(MAKING A SCENE)
"Debuts don’t usually earn awards, but Suazo has delivered a remarkable project more than worthy of consideration. This writer is not backing off from the opening sentence. That said, this also presages a boundless future for Suazo".
GIOVANNNI RUSSONELLO
(THE NEW YORK TIMES)
"Everything on the saxophonist and composer Jonathan Suazo’s new LP, “Ricano” — which finds him mining the intersections between his Puerto Rican and Dominican bloodlines — seems to be spilling energy out the top. This is richly built, effusively played Latin jazz, written from the heart and packed with complexity, always seeking the next level of altitude. On “Don’t Take Kindly,” as Tanicha López sings in billowy open vowel sounds and long, held tones, the ensemble’s three percussionists play around with a rhythm based in Puerto Rican bomba, while Suazo’s alto saxophone douses them in minor blues"